Carlos Cortez
Carlos Cortez is a mentor to Chicago's poet's, a lyric voice of the many social and labor struggles of the 20th century with a vision for the 21st. He has been called the best part of the 20th Century, walking.
Carlos Cortez has put his art to service for The Industrial Worker, United Farm Workers, and many such groups. He has exhibited in Mexico City ("A Traves de la Frontera") and Berlin ("Das Andere Amerika") as well as such showings as "Committed to Print" (Museum of Modern Art, 1988). Since 1994, he is represented in the collections of the National Museum of American Art, Washington D.C. A 20-page catalogue of the 1998 "Bold Images" exhibition (Elmhurst Art Museum) devotes four large pages to his life and art and in what is a tribute to Cortez's dedication and sincerity. The catalogue notes: "He refuses to limit his editions or number his prints. He has provided that further copies be pulled posthumously in order to hold down the price." True to his beliefs, and the original spirit of the print, he seeks to disseminate his art, to all and for all, for all time.
Along with his paintings and prints, Cortez is represented by three volumes of art and verse. Readers with further interest should seek out: De Kansas a Califas & Back to Chicago: Poems and Art (Abrazo Press: 1992) and Where Are The Voices?: And Other Wobbly Poems (Charles H. Kerr: 1977), both by Chicago publishing houses. His verse is also included in Emergency Tacos:Seven Poets Con Piente (Abrazo Press:1989), for which he did the cover art. Several Cortez prints are included as well in Second Sight: Printmaking in Chicago 1935-1995 (Mary and Leigh Block Gallery, Northwestern University: 1996)
(Biography from Chicago Labor & Arts Notes #25: 2001)
contact: (care of) Labor and Art rosetree@mindspring.com